If you’re an author as well as a fan of “Shark Tank,” the TV show in which millionaires compete to invest in unique start-ups, you’ve probably wondered what it would be like to have someone invest in your book without taking control over your career–including the royalties–the way traditional publishing houses do. Could a publishing house exist that would invest money in polishing and marketing your novel without actually owning it?
Part of this idea came to me after reading a conversation among three bestselling authors who have been in the publishing game–both traditional and indie–for decades. These guys–Dean Wesley Smith, JA Konrath and Barry Eisler–know that a lot of authors out there are getting ripped off, and they especially advise against giving up rights to your work forever just to score a book deal with a big publisher when there’s so much you could do yourself while keeping your rights.
Using their advice and warnings, I thought I’d draw up a crude business model for a publishing house that could satisfy their demands and mine. It’s the publishing house of my dreams since it would take a huge financial burden off my shoulders by allowing me, the author, to choose how much the company would invest and how much they would get to keep afterward, without giving up ownership of my book.
But could such a business ever be profitable? Read the full post »
Posted by Richard Denoncourt on September 24, 2012
I read Silence of the Lambs for the first time and finished it last week. I went on to watch the movie, noted all the differences, disappointments and improvements (like a good writer) and then continued on with my life.
And yet something stuck with me.
Both the movie and book versions–and from this point onward, I won’t differentiate–did something that is incredibly difficult to do.
They created not one, but TWO of the most memorable villains in modern entertainment. Read the full post »
Posted by Richard Denoncourt on September 18, 2012
This post might anger some writers (especially MFA’s) but I’m going to put it up there anyway. I’ll begin by asking a question: “Don’t you hate it when you can’t tell the difference between the main character of a story and a walking videocamera?”
I know I do.
Let me clarify: I was reading a literary short story the other day that had been published in a well-known literary journal and was now being included in a “Best of” short story anthology (Best American Short Stories, you might as well know). I got so frustrated I almost threw the book across the room and then (like my dog, Duke, who is a bastard) pee’d on it.
“But Richard, why would you pee on Best American Short Stories? It represents the finest American short fiction being published today!”
As my British friend likes to say, “Piss on that. Wankers.” Read the full post »
Posted by Richard Denoncourt on April 25, 2012